Born 1963 in Nevada, Iowa
Lives and works in New York
Education
1997
Whitney Independent Study Program, New York, USA
1996
MFA, Bard College, Annandale-On-Hudson, New York, USA
1988
BA, film production and film studies, The University of Iowa, Iowa City, IA, USA
1984
The School of the Art Institute of Chicago, USA
Solo Exhibitions
2011
Where Will We Live?, Glassell School of Art, Museum of Fine Arts Houston, Houston, USA
Matthew Buckingham: The Spirit and the Letter, Elizabeth A. Sackler Center for Feminist Art, The Brooklyn Museum, New York, USA
Caterina van Hemessen is Twenty Years Old, Art Unlimited, Art Basel, Switzerland
Time Again, Sculpture Center, Long Island City, Queens, New York, USA
2010
Likeness, Murray Guy, New York, USA
Konrad Fischer Galerie, Düsseldorf, Germany
Landings, Vestfossen, Norway
2009
Matthew Buckingham: Time Proxies, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Museum of Contemporary Art, Denver, CO, USA
2008
Matthew Buckingham, “From 1957 to 1969 This Building Was Empty”, The Art Institute of Chicago, Chicago, USA
Paleography, Konrad Fischer Galerie, Berlin, Germany
Murray Guy, New York, USA
Index, Stockholm, Sweden
Play the Story, Frac Bourgogne, Dijon, France; traveling to Des Moines Art Center, Des Moines, IA; Henry Art Gallery, Seattle, WA, USA
2007
Half Remembered, ArtPace, San Antonio, TX, USA
Everything Has a Name, Hamburger Bahnhof — Museum für Gegenwart, Berlin, Germany
Play the Story, Camden Arts Centre, London, UK; travelling to DCA Dundee Contemporary Arts, UK
2006
Messages from the Unseen — Matthew Buckingham/Joachim Koester, Lunds Konsthall, Lund, Sweden
2005
Time Lines, Kunstverein und Kunstmuseum St. Gallen, Switzerland
The Distribution of Sensibility v.1: Muhheakantuck — Everything Has a Name, Midway Contemporary Art, Minneapolis, MN, USA
Currents 94: Matthew Buckingham, St. Louis Art Museum, St. Louis, MO, USA
Sandra of the Tuliphouse or How to Live in a Free State (with Joachim Koester), The Kitchen, New York, USA
Introduction to a Scientific Aesthetics (with Dora Garcia), Fundación Telefonica, Madrid, Spain
Westfälischer Kunstverein, Münster, Germany
2004
Muhheakantuck — Everything Has a Name, Murray Guy, New York, USA
Concentrations 44: Matthew Buckingham, A Man of the Crowd, Dallas Museum of Art, Dallas, TX, USA
2003
A Man of the Crowd, Murray Guy, New York, USA
A Man of the Crowd, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Subcutaneous, Charles H. Scott Gallery, Vancouver, Canada
2002
Definition, P.S.1 Contemporary Art Center, Long Island City, New York, USA
2001
Subcutaneous, Murray Guy, New York, USA
Matthew Buckingham: Video Ab Acht, Schnitt Ausstellungsraum, Cologne, Germany
Sandra of the Tuliphouse or How to Live in a Free State, (with Joachim Koester) x-rummet, Statens Museum for Kunst, Copenhagen, Denmark; Capecete Projects, Rio de Janeiro, Brazil (cat.)
2000
Situation Leading to a Story, Galleri Tommy Lund, Copenhagen, Denmark
1999
Contemporary Film and Video: Matthew Buckingham, Moderna Museet, Stockholm, Sweden
Films + Photographs + Drawings, Murray Guy, New York, USA
1998
Sandra of the Tuliphouse, (with Joachim Koester), Institute of Visual Arts, University of Wisconsin-Milwaukee, WI, USA
Selected Group Exhibitions
2018
Communicating Vessels, Bunkier Sztuki Gallery of Contemporary Art, Krakow, Poland
Dime-Store Alchemy , group show at THE FLAG Art Foundation, New York, NY, USA
2017
Whither the Winds. The Malmö Art Academy, at the Occasion of Lund University’s 350th Jubilee, Lunds konsthall, Sweden
I Remember Not Remembering, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
Natural Histories, Museum Moderner Kunst Stiftung Ludwig, Vienna
2016
About Time: Photography in a Moment of Change, San Francisco Museum of Modern Art, San Francisco
Ein Loch im Meer, Württembergischer Kunstverein, Stuttgart
On the Shoulders of Giants, Kunsthalle Mainz, Mainz, Germany
2014
AMERICANS IN NEW YORK 3, Galerie Michel Rein, Paris, France
L’avenir (looking forward), La Biennale de Montrêal, Montreal, Canada
Unsettled Landscapes, SITElines 2014, Site Santa Fe, Santa Fe, NM, USA
Urban Psychosis, Holden Gallery, Manchester School of Art, Manchester, UK
Matthew Buckingham, Zoe Leonard, Gordon Matta-Clark, Murray Guy, New York, USA
HOME SWEET HOME: À propos de l’inquiétude, Dazibao, Montreal, Canada
The Dying of the Light: Film as Medium and Metaphor, MASS MoCA, North Adams, MA, USA
The Silent Way, Simon Preston Gallery, New York, USA
INTERACT: Deconstructing Spectatorship, East Wing Biennial, The Courtauld Institute of Art, London, UK
2013
Approximately Infinite Universe, Museum of Contemporary Art, San Diego, CA, USA
Das Ende des 20. Jahrhunderts. Es kommt noch besser. Ein Dialog mit der Sammlung Marx, Hamburger Bahnhof, Berlin, Germany
Le Pont, Musée d’Art Contemporain, Marseille, France
Surface Tension, Oakville Galleries, Toronto, Canada
Step Right In, Visual Arts Center, University of Texas, Austin, TX, USA
2012
When Attitudes Become Form Become Attitudes, CCA Wattis Institute, San Francisco, CA, USA
A common feeling, gb agency, Paris, France
Light & Landscape, Storm King Art Centre, Mountainville, NY, USA
Man in the Holocene, MIT List Arts Centre, Boston, USA
2011
Time Again, Sculpture Center, Long Island City, New York, USA
The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, UT, USA
The Wilderness, Miami Art Museum, Miami, FL, USA
Personal Tempest, Neue Galerie Innsbruck, Austria
Formally Speaking: Line Made by Walking, Haifa Museum of Art, Haifa, Israel
Living History, Nicolaysen Art Museum, Caper, WY, USA
2010
Never The Same River (Possible Futures, Probable Pasts), curated by Simon Starling, Camden Arts Centre, London, UK
Constructing History, curated by Luis Silva, Kunsthalle Lissabon Convent of the Order of Christ, Lisbon, Portugal
Vectors of the Possible, curated by Simon Sheikh, BAK Basis fuer Aktuelle Kunst, Utrecht, the Netherlands
Polis Polis Potatismos, Malmö Konsthall, Malmö, Sweden; Dragør Strandhotel, Kopenhagen Contemporary, Copenhagen, Denmark
Between Here and There: Passages in Contemporary Photography, Metropolitan Museum of Art, New York, USA
False Divide: abstraction and representation in a few photographic works, Miguel Abreu Gallery, New York, USA
Murder at the Savoy, Malmö Konsthall, Malmö, Sweden
Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
Undercurrents: Experimental Ecosystems in Recent Art, Whitney ISP at the Kitchen, New York, USA
50 Artists Photograph The Future, curated by Dean Daderko, Higher Pictures, New York, USA
Nachleben, curated by Fionn Meade and Lucy Raven, Goethe-Institut Wyoming Building, New York, USA
First Nations/Second Nature, Audain Gallery SFU Woodwards, Vancouver, Canada
2009
Automatic Cities: The Architectural Imaginary in Contemporary Art, MCA San Diego, La Jolla, CA, USA
Surface Tension, Mercer Union, Toronto, Canada
Kurs: Torvet, Museet For Samtidskunst, Roskilde, Denmark
Hidden in Remembrance is the Silent Memory of our Future, Contour — the 4th Biennial of Moving Image, Mechelen, Belgium
Lives of the Hudson, Francis Young Tang Museum, Skidmore College, Saratoga Springs, NY, USA
H-Box, Orange County Museum of Art, Newport Beach, CA, USA
Uses of the Document, Centre Culturel Suisse, Paris, France
Everything Has a Name, Or the Potential to be Named, Gasworks, London, UK
STILL / MOVING / STILL, Cultuurcentrum Knokke-Heist, Knokke, Belgium
Code Share: 5 continents, 10 biennials, 20 artists, Contemporary Art Centre (CAC), Vilnius, Lithuania
2008
Questioning History: Imagining the Past in Contemporary Art, Nederlands Fotomuseum, Rotterdam, The Netherlands
Theaters of Memory: Art and the Holocaust, The Jewish Museum, New York, USA
The Sound I’m Looking For, Charles H. Scott Gallery, Emily Carr Institute, Vancouver, Canada
The Greenroom, CCS Bard Hessel Museum, Annandale-on-Hudson, NY, USA
Farewell to Post Colonialism: Thinking Through the Visual, The Third Guangzhou Triennial, Guangzhou, China
Since we last spoke about monuments, Stroom, The Hague, The Netherlands
The Cinematic, or Moving Images Expanded: Artists’ Film and Video Showcase 2008, Insa Art Space, Seoul, Korea
Reality Check, Statens Museum for Kunst, Copenhagen, Denmark
Framing and Being Framed: The Uses of Documentary Photography, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA
Nonknowledge, Projects Arts Centre, Dublin, Ireland
The Cinema Effect: Illusion, Reality, and the Moving, Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC, USA
Peripheral Look and Collective Body, Museion, Bolzano, Italy
Förlust/Loss, The Wanås Foundation, Knislinge, Sweden
Headlines and Footnotes, Henie Onstad Art Centre, Oslo, Norway
Fluid Street, Kiasma, Helsinki, Finland
Shadow Cabinet, Extra City, Antwerp, Belgium
Berlin-New York Dialogues: Building in Context, Center for Architecture, New York, USA
2007
The Big Easy, ACC Galerie, Weimar and Halle 12 in der Baumwollspinnerei, Leipzig, Germany
In the Poem About Love You Don’t Write the Word Love, Overagaden Institut for Samtidiskunst, Copenhagen
Buckingham Cesarco Lawler Ruppersberg, Murray Guy, New York, USA
Taking Time, MARCO, Museum of Contemporary Art, Vigo, Spain
Matthew Buckingham, Francis Cape, Kota Ezawa, Matthew Higgs, Murray Guy, New York, USA
To The Point: A New Reality: Black and White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, USA (cat.)
Projecting Time, Badischer Kunstverein, Karlsruhe, Germany
Mapping the City, Stedelijk Museum, Amsterdam, The Netherlands
Varsalongen 2007, Liljevalchs Konsthall, Stockholm, Sweden
2006
1,2,3… Avant–gardes: Film / Art between Experiment and Archive, CCA Ujazdowski Castle, Warsaw, Poland
Personal Affairs. New Forms of Intimacy, Museum Morsbroich, Leverkusen, Germany
700% PLUS, KBH Kunsthal, Copenhagen, Denmark
Liverpool Biennial International 06, FACT, Liverpool, UK
The Golden Hour, Gigantic ArtSpace, New York, USA
Nam June Paik Award 2006, Museum für Angewandte Kunst, Cologne, Germany
No Reservations: Native American History and Culture in Contemporary Art, The Aldrich Contemporary Art Museum, Ridgefield, CT, USA
Société des nations factice et scindée en elle-même, Circuit, Lausanne, Switzerland
Between the Lakes: Artists Respond to Madison, Madison Museum of Contemporary Art, Madison, WI, USA
Slow Revolution, The Rotunda Gallery, Brooklyn, NY, USA
Draft Deceit, Kunstnernes Hus, Oslo, Norway
Forum expanded, Berlinale and Kunst-Werke Institute for Contemporary Art, Berlin, Germany
2005
This Storm Is What We Call Progress, Arnolfini, Bristol, UK
I Beg Your Pardon – or the Reestablishing of Cordial Relations,The New School, New York, USA
I really should…, curated by Stefan Kalmar, Lisson Gallery, London, UK
This Side Toward Screen, Murray Guy, New York, USA
Post No Bills, White Columns, New York, USA
In Absentia, curated by Stephen Wright, Centre d’Art Passerelle, Brest, France
(“my private”) HEROES, MARTa, Herford, Germany
The Corcoran Biennial, The Corcoran Gallery of Art, Washington, DC, USA
Circa Berlin, curated by Simon Sheikh, Nikolaj, Copenhagen Contemporary Art Center, Copenhagen, Denmark
Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago; Hayward Gallery, London, UK
Documentary Creations, Kuntmuseum Luzern, Lucerne, Switzerland
Matthew Buckingham, Markus Schinwald, Clemens von Wedemeyer, Galerie Klosterfelde, Berlin, Germany
In words and pictures, Murray Guy, New York, USA
2004
Faces in the Crowd, Whitechapel Art Gallery, London, UK
The Book as Object and Performance curated by Sara Reisman, Gigantic Art Space, New York, USA
Rear View Mirror, Kettle’s Yard, Cambridge, UK
Common Property, Werkleitz Biennale, Halle, Germany
Territories, Malmö Konsthall, Malmö, Sweden
4 and 4, Curator’s Choice New York/Berlin, (MB chosen by Anselm Frank), Müller De Chiara, Berlin, Germany
Push the Envelope, curated by Lars Mathieson, Sparwasser HQ, Berlin, Germany
2003
Get Rid of Yourself, ACC Weimar & Stiftung Federkiel, Weimar, Germany
Territories (curated by Anselm Franck and Sine Bepler), Kunst-Werke, Berlin, Germany
Homeland, Whitney ISP, CUNY Graduate Center, New York, USA
Watershed: The Hudson Valley Art Project, Beacon, NY and surrounding locations, USA
Cloudless, CCS Bard College, Annandale-on-Hudson, NY, USA
Inscribing the Temporal, Kunsthalle Exnergasse, Vienna, Austria
Affinity Archive, Broadstone Studios, Dublin, Ireland
2002
Rent-A-Bench, curated by Jacob Fabricius, public space, Los Angeles, USA
Road Trip, Murray Guy, New York, USA
Nostalgia, Art In General, New York, USA
The Captain’s Road, Dublin, Ireland
The Brewster Project, Brewster, NY, USA
2001
Plakartprojekt, organized by SITE & Schnitt Ausstellungsraum, Cologne, Germany
Quality Street, Galleri Tommy Lund, Copenhagen, Denmark
Definition, Murray Guy, New York, USA
2000
May Day Vienna, The Kunsthalle Exnergasse, Vienna
La Ville, le Jardin, la Memoire–La Folie Section, Villa Medici/Académie de France, Rome, Italy (cat.)
Vague but True (curated by Catsou Roberts), Galeri Asbaek, Copenhagen, Denmark; Arnolfini, Bristol, UK
Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY, USA
1999
Re-opening Show, Galleri Nicolai Wallner, Copenhagen, Denmark
Caravan, Astrotel Contemporary Art, Vienna, Austria
The American Century, Whitney Museum of American Art, New York, USA
Close-Ups — Contemporary Art and Carl Th. Dreyer, Nikolaj Contemporary Art Center, Copenhagen, Denmark (cat.)
L.A. International, Blum & Poe, Santa Monica, CA, USA
You Assume Certain Places Exist, Galerie Mot & Van den Boogaard, Brussels, Belgium
Parking (organized by May Day Productions), High Bridge Park, NY, USA
1998
Nuit Blanche, ARC Musée d’art moderne de la Ville de Paris, Paris, France (cat.)
Something is Rotten in the State of Denmark, Museum Fridericianum, Kassel, Germany
Screening, Apex Art P.C., New York, USA
1997
Assorted Confabulations: Fiction + Interference, Consonni Centro de Prácticas Contemporáneas, Bilbao, Spain
For Eyes and Ears, Galleri Tommy Lund, Odense, Denmark
Three Rivers ArtsFestival, The Andy Warhol Museum, Pittsburgh, PA, USA
1996
New Histories, The Institute of Contemporary Art, Boston, USA
Spot Gallery, New York, USA
1993
Onion City, Randolph Street Gallery, Chicago, USA
Pages, 450 Broadway Gallery, New York, USA
1991
New Work, Randy Alexander Gallery, New York, USA
1990
Works on Paper, Paula Allen Gallery, New York, USA
Selected Screenings
2014
Nouveau Festival, Centre Pompidou, Paris, France
2009
Passageworks Film Program, San Francisco Museum of Modern Art, San Francisco, CA, USA
2008
Muhheakantuck — Everything Has a Name, Screenings on New York City water taxis, sponsored by
CreativeTime, New York, USA
American Institute of Architects, New York, USA
2007
Mapping the City video programme, Stedelijk Museum Bureau, Amsterdam, The Netherlands
Matthew Buckingham, Tate Modern, London, UK
In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), Midway Contemporary Art, Minneapolis, MN, USA
2006
In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), Centre for Contemporary Arts, Glasgow, UK; Artists Space and Anthology Film Archives, New York; Midway Contemporary Art, Minneapolis, MN, USA
Shedhalle, Zürich, Switzerland
2005
A History of Forgetting, transit projektce, Prague, Czech Republic
In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), argosfestival, Brussels, Belgium
Cine y casi cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
MediaScope, The Museum of Modern Art, New York, USA
2004
Identify! or Studies on a Political Subject, The New School, New York, USA
Matthew Buckingham, Akademie der Künste, Berlin, Germany
2003
Matthew Buckingham, Akademie der Künste, Berlin, Germany
Record, Gallery210two, Los Angeles, USA
2000
Three Films by Matthew Buckingham, Arnolfini, Bristol, UK
Crossing Boundaries, National Cinematheque, Danish Film Institute, Copenhagen, Denmark
Art Film, Stadtkino, Kunsthalle Basel, Switzerland
Shoot: Moving Pictures by Artists, Malmö Konsthall, Malmö, Sweden
1999
Five 29 Ninety9, one-day symposium, St. Ann’s Church, Brooklyn, NY, USA
Silver Series, Saint Mark’s Church Danspace Project, New York, USA
Meters 1, Salon 300, Brooklyn, NY and Tian Miao Lin, Beijing, China
1998
Reading Places, Pacific Film Archive / Berkeley Art Museum, Berkeley, CA, USA
The Glass of Knowledge, The Anthology Film Archive, New York, USA
1997
New Directors/New Films, The Museum of Modern Art, New York, USA
Ann Arbor Film Festival, Ann Arbor, MI, USA
Athens International Film Festival, Athens, OH, USA
1996
Film Club, Four Walls, Brooklyn, NY, USA
1994
Works-in-Progress, The Museum of Modern Art, New York, USA
Sydney Public Television, Sydney, Australia
1993
San Francisco Cinematheque, San Francisco, CA, USA
Other Cinema, San Francisco, CA, USA
Black Maria Film Festival, NJ, USA
Ann Arbor Film Festival, Ann Arbor, MI, USA
Reel Time, Performance Space 122, New York, USA
1990
Ann Arbor Film Festival, Ann Arbor, MI, USA
St. Mark’s Church Danspace Project, New York, USA
Fellowships, Grants, Residencies
2007
ArtPace, San Antonio, TX
IASPIS, Stockholm
2006
Artist in Residence, The Arts Institute, University of Wisconsin-Madison
2004
The Rolex Mentor and Protégé Arts Initiative Award, selected by John Baldessari
2003
DAAD Artists Program, Berlin
Watershed: The Hudson Valley Project, Minetta Brook Foundation, NY
2001
New York Foundation for the Arts, Artists Fellowship
1997
Danish Film Institute Film Workshop Production Grant
1996
New York State Council on the Arts Film Production Grant
New York State Council on the Arts Film Production Grant
1992
Art Matters Artist’s Fellowship, New York
1990
Apparatus Production Grant, New York
Awards
1997
Ann Arbor Film Festival, Best Narrative Film, Amos Fortune Road
1993
Black Maria Film Festival, Director’s Citation, The Truth About Abraham Lincoln
Onion City Film Festival, Best-of-Festival Prize,The Truth About Abraham Lincoln
Ann Arbor Film Festival, Best-of-Festival Prize, Dizzy
1990
Ann Arbor Film Festival, Award of Excellence, At Once
2007
ArtPace, San Antonio, TX
IASPIS, Stockholm
2006
Artist in Residence, The Arts Institute, University of Wisconsin-Madison
2004
The Rolex Mentor and Protégé Arts Initiative Award, selected by John Baldessari
2003
DAAD Artists Program, Berlin
Watershed: The Hudson Valley Project, Minetta Brook Foundation, NY
2001
New York Foundation for the Arts, Artists Fellowship
1997
Danish Film Institute Film Workshop Production Grant
1996
New York State Council on the Arts Film Production Grant
New York State Council on the Arts Film Production Grant
1992
Art Matters Artist’s Fellowship, New York
1990
Apparatus Production Grant, New York
Public Collections
FRAC Bourgogne, Dijon, France
Hamburger Bahnhof, Museum für Gegenwart, Berlin
Hirshhorn Museum and Sculpture Garden, Washington, DC
K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
Kadist Foundation, Paris
Kunstmuseum, St. Gallen, Switzerland
MARTa Herford, Herford Germany
The Metropolitan Museum of Art, New York
Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
The Museum of Modern Art, New York
San Francisco Museum of Modern Art, San Francisco, CA
St. Louis Art Museum, St. Louis, MI
Statens Museum for Kunst, Copenhagen, Denmark
Tate Modern, London
Walker Art Center, Minneapolis, MN
Books and Monographs
2020
Artist on Artists Lecture Series: Robert Smithson, with Abraham Cruzvillegas, Mark Dion, Teresita Fernandez, Trevor Pagen, Rayyane Tabet, Diana Thater, Dia Art Foundation.
2008
Buckingham, Matthew. Improbable Horse. Des Moines: Des Moines Art Center, 2008. Artist’s book.
2007
Buckingham, Matthew. Everything I Need. London: Camden Arts Centre, 2007. Artist’s book. Essay by Darcy Beurkle.
Buckingham, Matthew. False Future. London: Camden Arts Centre, 2007. Artist’s book. Essay by Tom Gunning.
Buckingham, Matthew. The Spirit and the Letter. London: Camden Arts Centre, 2007. Artist’s book. Essay by Cora Kaplan.
Play the Story. London: Camden Arts Centre, 2007. Essay by Sara Krajewski. Interview with Mark Godfrey.
2006
Kreuger, Anders, ed. Matthew Buckingham: Messages from the Unseen. Lund: Lund Konsthall; Rotterdam: Veenman Publishers, 2006. Essays, interviews, and texts by Jennifer Allen, Matthew Buckingham, Joachim Koester, Jamet Kraynak, Anders Kruger, and Edgar Allan Poe.
2005
Buckingham, Matthew. One Side of Broadway. Münster: Westfälischer Kunstverein; St. Gallen: Kunstverein St. Gallen; and Frankfurt: Revolver, 2005. Artist’s book.
Narratives. Münster: Westfälischer Kunstverein; St. Gallen: Kunstverein St. Gallen; and Frankfurt: Revolver, 2005. Essays by Carina Plath and Mark Godfrey.
2003
Buckingham, Matthew. A Man of the Crowd. Vienna: Museum Moderner Kunst, 2003. Artist’s book. Essay by Kimberly Lamm. “The Man of the Crowd” by Edgar Allan Poe. Notes by Matthew Buckingham.
2002
The Six Grandfathers from the Cretaceous Period to the Present. New York: Matthew Buckingham, 2002. Artist’s book.
2001
Buckingham, Matthew. Subcutaneous. New York: Murray Guy; Shark Books, 2001. Artist’s book.
Buckingham, Matthew and Joachim Koester. Sandra of the Tuliphouse Or How To Live in a Free State. Edited by Sven Bjerkhof. Copenhagen: Statens Museum for Kunst, 2001. Introduction by Marianne Torp.
Selected Artist’s Writings and Publications
2007
“Film to be Projected Every Year.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner, Hochschule für Gestaltung und Kunst Zürich, JRP/Ringier, pp. 71—79
“Muhheakantuck—Everything Has a Name.” October, no. 120 (Spring 2007), pp. 173—181
“1000 Words: The Spirit and the Letter.” Artforum (May 2007), pp. 328—329
2005
“Muhheakantuck—Everything Has a Name.” In Experience Memory Re-enactment. Ed. Anke Bangma, Steve Rushton and Florian Wüst. Rotterdam: Willem de Kooning Academy Publications. Frankfurt: Revolver, Archiv für aktuelle Kunst, 2005, pp. 251–257
2003
“A Man of the Crowd: annotated associations with Edgar Allan Poe’s tale The Man of the Crowd.” In Untitled (Experience of Place). Ed. Gregor Neuerer, Koenig Books Ltd., London/Verlag der Buchhandlung Walter Koenig, Cologne, 2003
“Ultramarine.” Cabinet Magazine, no. 10 (Spring 2003)
“The Projected image in Contemporary Art.” Roundtable discussion with Matthew Buckingham, Chrissie Iles, Hal Foster, George Baker, Malcolm Turvey, Anthony McCall, October, no. 104 (March 2003)
2002
“The Six Grandfathers, Paha Sapa, In the Year 502,002 C.E.” Cabinet, no. 7 (Summer 2002), pp. 47—50
Buckingham, Matthew and Joachim Koester. “Points of Suspension.” October, no. 100 (Spring 2003), pp. 55—63
2001
Buckingham, Matthew and Joachim Koester. “How to Live in a Free State.” Sandra of the Tuliphouse or How to Live in a Free State. Copenhagen: x-rummet, Statens Museum for Kunst, 2001
“Interview With a Cultural Follower and Public Space-Inhabitant.” Shark 3 (Winter 2001), pp. 91—107
1998
Buckingham, Matthew and Joachim Koester. “Sandra of the Tuliphouse or How to Live in a Free State: A Project for Atlántica.” Atlántica Internacional Revista de las Artes, no. 19 (Winter 1998), pp. 90—97
“Situation Leading to a Story.” Ojeblikket magazine, no. 35 (Spring 1998)
Selected Bibliography
2014
Boudreau, Olivia and France Chonière. Home Sweet Home. À propos de l’inquiétude. Montreal: Dazibao and Édipresse, 2014, pp. 99—101, 147
Delgado, Jérôme. “Les nouveaux débuts: Home Sweet Home — À propos de l’inquiétude; Fountainward.” Le Devoir [Montreal], 12 April 2014
Farago, Jason. “The Silent Way.” Artforum.com, 26 January 2014
Smith, Roberta. “The Silent Way.” New York Times, 20 February 2014
2011
Boucher, Brian. “Matthew Buckingham — Murray Guy.” Art in America (February 2011)
Demeuse, Sarah. “Matthew Buckingham.” …might be good, no. 178, 11 November 2011
“Matthew Buckingham: The Spirit and the Letter.” The New Yorker, 26 September 2011
Vali, Murtaza. “Matthew Buckingham — Likeness.” Art Review (February 2011)
2010
Bell, Kirsty. “Part of the Process: Matthew Buckingham.” Mousse, no. 25 (September/October 2010), pp. 62—67
Gopnik, Adam. “Gopnik’s Daily Pic: Matthew Buckingham at Murray Guy.” The Washington Post, 22 November 2010
“Matthew Buckingham.” The New Yorker, 3 December 2010
Mircan, Mihnea, ed. History of Art, The. Appendix 1: The Impresent. London: David Roberts Art Foundation, 2010, n.p. (Image of Absalon slide reproduced)
Rosenberg, Karen. “Photographs that Tell Unsettling Tales.” The New York Times, 8 July 2010
Smith, Roberta. “Varieties of Abstraction.” The New York Times, 6 August 2010
2009
Clark, Robin. “Matthew Buckingham.” In Automatic Cities – The Architectural Imagery in Contemporary Art. San Diego: Museum of Contemporary Art, San Diego, 2009, pp. 64–69
Comer, Stuart. Film and Video Art. London: Tate Publishing, 2009, p. 96
McElheny, Josiah. “Matthew Buckingham.” Bomb, no. 107 (Spring 2009), pp. 90—96
2008
Decter, Joshua. “Matthew Buckingham.” Artforum (November 2008)
Ellegood, Anne. “Matthew Buckingham.” In The Cinema Effect: Illusion, Reality, and the Moving Image. Ed. Kerry Brougher et. al. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; London: D Giles Ltd, 2008, pp. 130—134
Falconer, Morgan. “Matthew Buckingham: Please Explain it to me, I’ve just become a Radical.” Art Review, no. 26 (October 2008)
Hanley, William. “Buckingham Film Makes Maiden Voyage.” Artinfo, 31 March 2008
Johnson, Ken. “Matthew Buckingham — Will Someone Please Explain It To Me, I’ve Just Become a Radical.” The New York Times, 25 July 2008
Kitamura, Katie. “Matthew Buckingham, Index, Stockholm, Sweden.” Frieze.com
Mack, Joshua. “Matthew Buckingham.” Time Out New York, 3—9 April 2008
Ostrow, Saul. “Matthew Buckingham: Murray Guy.” Art in America (December 2008), pp. 160—161.
“Matthew Buckingham.” The New Yorker, 31 March 2008
Rosenberg, Karen. “Matthew Buckingham.” The New York Times, 23 March 2008
Sholis, Brian. “Matthew Buckingham.” Artforum (May 2008), p. 381
Watson, Sam. “Matthew Buckingham — Des Moines, IA+London+Seattle.” Art Papers (May/June 2008), p. 59
West, Kim. “Mathew Buckingham, Index.” Artforum.com
2007
Collings, Matthew. “Hot Chat.” Modern Painters (September 2007), pp. 38—41
Coomer, Martin. “Timely Viewing.” The Big Issue, 14 May 2007
Cooper, Emmanuel. “Text and Image meet ambiguity and complexity.” Tribune, 18 May 2007
Darwent, Charles. “Notes from a ceiling in north London.” The Independent on Sunday, 6 May 2007
Falconer, Morgan. “Turning her story into living history.”The Times, 21 April 2007
Glauner, Max. “Fröhliche Wissenschaft mit Haken.” Zitty, no. 13 (2007)
Godfrey, Mark. “The Artist as Historian.” October, no. 120 (Spring 2007), pp. 140—172
Godfrey, Mark. “Time and Motion.” Sight & Sound (May 2007), p. 8
Gronlund, Melissa. “Story Telling.” Frieze, no. 106 (April 2007), pp. 120—125
Groskop, Viv. “Women All hail the feminassance.”The Guardian, 11 May 2007
Herbert, Martin. “Matthew Buckingham.” Time Out, 30 May—5 June 2007
Hiltbrunner, Michael. “Die Frauenstimmrecht – ein Nachhaken.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner. Zurich: Hochschule für Gestaltung und Kunst Zürich; Zurich: JRP/Ringier, 2007, p. 81
Hiltbrunner, Michael. “Mechanismen des Vergessen – Interview with Matthew Buckingham.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner. Zurich: Hochschule für Gestaltung und Kunst Zürich; Zurich: JRP/Ringier, 2007, pp. 82—84
Hinrichsen, Jens. “Der Überflieger.” Der Tagesspiegel, 19 June 2007
Macdonald, Fiona. “Matthew Buckingham.” Metro (London), 3 May 2007
Morgan, Jessica. “1000 words – Matthew Buckingham.” Artforum (May 2007), pp. 328—329
Mottram, Jack. “Turning the Familiar on its Head.” The Herald (Dundee), 23 November 2007
Muir, Kate. “The Dark Ages.” Times Magazine, 9 June 2007
Oldham, Alison. “Revealing needs of a lesbian doctor.” Ham & High, 21 June 2007
Resch, Andreas. “Alles hat einen Sinn irgendwie.”Tageszeitung Berlin, 24 July 2007
“Review: Matthew Buckingham, Play the Story.” myvillage.com, 10 May 2007
Slyce, John. “Matthew Buckingham – Camden Arts Centre.” Art Monthly (June 2007)
Smyth, Cherry. “Rewind: Matthew Buckingham.” ArtReview (May 2007), pp. 108—109
Ulrichs, David. “Everything has a Name.” ART, no. 25, 6 September 2007
2006
Baxter, Lew. “Melville’s metaphor for a new Liverpool.” Interview. Liverpool Daily Post, 29 September 2006
Chapple, Mike. “An old salt may be turned into a star.” Liverpool Daily Post, 7 June 2006
Fox, Killian. “What a turn-up — Liverpool Biennial.” The Observer, 24 September 2006
Hubbard, Sue. “International Festival of Contemporary Art.” The Independent, 29 September 2006
Simon, Jane. “Between the Lakes: Artists Respond to Madison.” In Between the Lakes: Artists Respond to Madison. Ed. Stephen Fleischman and Jane Simon. Madison: Madison Museum of Contemporary Art, 2006, pp. 24—25.
Sutton, Gloria. “Matthew Buckingham — Kunstmuseum St. Gallen.” artUS, no.13 (May—June 2006), p. 60
Volkart, Yvonne. “Matthew Buckingham — Time Lines.” Springerin (February 2006)
2005
Bellini, Andrea. “New York Tales: Reflections in a Glass Curtain.” Flash Art, no. 243 (July—September 2005), pp. 114 116
Clark, Robin. “Matthew Buckingham.” Interview with Matthew Buckingham. Currents 94 Matthew Buckingham. Exhibition Brochure. St. Louis: Saint Louis Art Museum, 2005
Comer, Stuart. “London.” Artforum (December 2005)
Cotter, Holland. “The Book as Object and Performance.” The New York Times, 13 January 2005
Godfrey, Mark. “Against Finitude.” In Introduction to a Scientific Aesthetic. Madrid: Fundación Telefónica, 2005, pp. 53—75
Martinez, Chus. “Introduction to a Scientific Aesthetics.” In Introduction to a Scientific Aesthetic. Madrid: Fundación Telefónica, 2005, pp. 13—23
Scott, Andrea. “In between days.” Time Out New York, no. 502. 12—18 May 2005, pp. 73—74
Smith, Roberta. “Matthew Buckingham & Joachim Koester, ‘Sandra of the Tuliphouse or How to Live in a Free State.” The New York Times, 10 June 2005, p. E44 (illustrated)
Wilson, Michael. “Matthew Buckingham and Joachim Koester.” Artforum (September 2005), pp. 306—307
2004
Allen, Jennifer. “Clues, Shadows and Faces — Interview with Matthew Buckingham.” Metropolis M, no. 5 (October/November 2004), pp. 95—106
Dean, Tacita. “Historical Fiction: The Art of Matthew Buckingham.” Artforum (March 2004), pp. 146–151 and cover.
Franke, Anselm. “Matthew Buckingham.” Parkett, no. 72 (2004), pp. 6—16
Henry, Max. “Matthew Buckingham at Murray Guy.” Art in America (March 2004), pp. 130—131
Huck, Brigitte. “Matthew Buckingham – Museum Moderner Kunst Stiftung Ludwig.” Artforum (January 2004), p. 162
The New Yorker, 13 December 2004, p. 20
Weaver, Suzanne. “An Interview with artist Matthew Buckingham.” A Man of the Crowd. Exhibition brochure. Dallas: Dallas Museum of Art, 2004
2003
Auricchio, Laura. “Homeland.” Time Out New York, no. 403, 19—26 June 2003, p. 61
Boettger, Suzanne. “Cinderella on the Hudson.” Art in America (June 2003), pp. 39—45
Cotter, Holland. “Art shows in the Great Indoors.” The New York Times, 25 July 2003
Cotter, Holland. “Matthew Buckingham.” The New York Times, 12 December 2003, p. E45
Harris, Michael. “Physiognomists take spotlight in Buckingham show.” The Vancouver Sun, 10 March 2003
Jaugelis, Kristina. “Matthew Buckingham – Charles H. Scott Gallery.” School for the Contemporary Arts, Simon Fraser University, Vancouver, online magazine
Kastner, Jeffrey. ”Watershed — various sites.” Artforum (October 2003), p. 175
Lamm, Kimberly. “Men in the Crowd.” In A Man of the Crowd — Matthew Buckingham. Vienna: Museum Moderner Kunst Stiftung Ludwig, 2003, pp. 62—70
Leighton, Tanya. “Coming to Homeland.” In Homeland. Exhibition brochure. New York: Whitney ISP, 2003, pp. 15—21.
“Matthew Buckingham.” The New Yorker, 24 November 2003, p. 22
Metzger, Rainer. “Soho am Stephansplatz — MUMOK: Matthew Buckingham – A Man of the Crowd.” artmagazine, Vienna, 22 September 2003
Princenthal, Nancy. “A 10-Part Hello Along the Hudson.” The New York Times, 11 May 2003, p. 20
Rosenberg, Karen. “On View-The Tell-Tale Art.” New York, 8 December 2003, p. 99
Schwendener, Martha. “Matthew Buckingham ‘A Man of the Crowd.’” Time Out New York, no. 426, 27 November–4 December 2003, p. 82
Sholis, Brian. “New York Critic’s Picks: Matthew Buckingham.” Artforum.com, 25 November 2003
2002
“Definition — P.S.1 Contemporary Art Center.” The New Yorker, 12 August 2002, p. 15
Kraynak, Janet. “Matthew Buckingham.” In Watershed–The Hudson Valley Art Project. New York: Minetta Brook, 2002, pp. 83—89
Sonkin, Rebecca. “Matthew Buckingham.” Tema Celeste (March/April 2002), p. 84
Sundell, Margaret. “Wet Dream.” Time Out New York, 26 September—3 October 2002, p. 60
2001
Burton, Johanna. “Matthew Buckingham — Subcutaneous.” Time Out New York, 6—13 December 2001, p. 62
Kristensen, Pernille Anker. “Alle veje fører til Christiania.” Det Sker/Kultur, 16 March 2001
Movin, Lars. “Stedernes gådefulde fortælling.” Information, 15 March 2001
Ryan, Orla. “In Between Lost and Found: The Films of Matthew Buckingham.” Afterimage (March/April 2001), pp. 16—17
Torp, Marianne. “You assume certain histories exist…” In Sandra of the Tuliphouse or How to Live in a Free State, Copenhagen: x-rummet, Statens Museum for Kunst, 2001
Williams, Gregory. “New York Critics’ Picks: Matthew Buckingham.” Artforum.com, 7 December 2001
2000
Daniels, Yolande. Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000
Dunn, Melissa. “Exhibition Picks.” The Guardian (London), 24 June 2000
Jönsson, Dan. “Konstfilm i Malmö.” Dagens Nyheter (Malmö), 16 February 2000
“Matthew Buckingham’s ‘Situation Leading to a Story.’” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000
Shaw, Lytle. “How to Make Good Experimental Ethnographic Films: Matthew Buckingham.” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000
Siegel, Katy. “Greater New York.” Artforum (May 2000), p. 174
Stanley, Sarah. “Shirin Neshat: Matthew Buckingham.” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000
1999
Close-Ups — Contemporary Art and Carl Th. Dreyer. Copenhagen: Nikolaj Contemporary Art Center, 1999. Texts by Lene Crone Jensen and Lars Movin
Jowitt, Deborah. “Depth of Memory.” The Village Voice, 13 April 1999
Williams, Gregory. “Matthew Buckingham – Murray Guy, New York.” Frieze, no. 46 (May 1999), pp. 98—99
1998
“Home Movies: Situation leading to a Story.” SuperUmbau, no. 4 (Autumn 1998)
Larson, Lars Bang. Something is Rotten in the State of Denmark. Kassel: Museum Fridericianum, 1998
Nuit Blanche. Paris: ARC Musée d’art moderne de la Ville de Paris, 1998
Roberts, Catsou. “Between Documentation and Drama.” Artpress, no. 232 (February 1998)
Taubin, Amy. “Love and Death, 1997’s Top Ten Films.” The Village Voice, 6 January 1998
1997
Anderson, John. “New Films Series Takes Manhattan.” Newsday, 21 March 1997
Maslin, Janet. “Quiet Desperation, Then Decisions, Decisions.” The New York Times, 29 March 1997
Taubin, Amy. “Worlds Apart.” The Village Voice, 25 March 1997
1996
Gilliam, Leah. “Eraser Vols. 9&10.” In New Histories. Ed. Lia Gangitano and Steven Nelson. Boston: Institute of Contemporary Art, 1996
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