Nina Canell

(b. 1979)

Born 1979, Växjö, Sweden
Lives and works in Berlin

Solo Exhibitions (Selected)

2017

Polyethylene-Insulated Smear, Mendes Wood, Sao Paulo

Viscosity, The Artist’s Institute, New York

Dolphin Dandelion , le Crédac, Centre d’art contemporain d’Ivry, Ivry-sur-Seine

Ayrton, Museo Tamayo, Mexico City

2016

Reflexology, LEO XU PROJECTS, Shanghai

Museo Tamayo, Mexico City (upcoming)

Foam-Skin Insulated Jelly-Filled Vowel, Galerie Barbara Wien, Berlin

2015

Satin lons, Arko Art Center, Seoul

Brief Syllable (Flat), Rond-Point Projects, Marseille, France

Dimensions Withheld, Daniel Marzona, Berlin

2014–2015

Free Space Path Loss, Lunds Konsthall, Lund

Mid-Sentence, Moderna Museet, Stockholm

2014

Lulu, Mexico City

Baltic Centre for Contemporary Art, Newcastle

Camden Arts Centre, London

2013

Luisa Strina Gallery (two person exhibition), São Paulo

K21 Kunstsammlung Nordrhein Westfalen (Kuenstler Raum), Düsseldorf

Midway Contemporary Art, Minneapolis

2012–2013

Lautlos, Hamburger Bahnhof Museum für Gegenwart (two person exhibition with Rolf Julius), Berlin

2012

The Douglas Hyde Gallery, Dublin

Cubitt Gallery, London

2011

Konrad Fischer Galerie, Berlin

Galerie Barbara Wien, Berlin

Kunsthalle Fridericianum, Kassel

2010

Museum Moderner Künst Stiftung Ludwig, Vienna

2009

Hamburg Kunstverein, Hamburg

Neuer Aachener Kunstverein, Aachen

Art Basel Statements (with Mother’s Tankstation), Basel

2008

Galerie Barbara Wien, Berlin

2008

ICA (collaboration with Robin Watkins), London

2006

T293, Napoli

Group Exhibitions (Selected)

2017

Aperto La Notte, Villa de Medici, Rome

How It’s Made, Carl Kostyál, Stockholm

Art & Space, Guggenheim Bilbao, Spain

L’air vibre du bourdonnement des insectes, Musée départemental d’art contemporain de Rochechouart, France

How beautiful it is and how easily it can be broken, S.M.A.K., Ghent

Future Eaters, Monash University Museum of Art, Melbourne

Mirrored, The Nordic Pavilion at the 57th International Art Exhibition, la Biennale di Venezia

ZEIGEN. Eine Audiotour durch die Sammlung, GfZK Leipzig

More than Just Words (On the Poetic), Kunsthalle Wien, Austria

ARS17: Hello World! Art after the Internet, Museum of Contemporary Art KIASMA / The Finnish National Gallery, Helsinki, Finland

2016

Samhällsmaskinen, Malmö Konstmuseum, Malmö, Sweden

We Are The Center, CCS Bard, Hessel Museum of Art, New York

ARS17: Hello World! Art after the Internet, Museum of Contemporary Art KIASMA / The Finnish National Gallery, Helsinki, Finland

The Distance of a Day: Connections and Disconnections in Contemporary Art, The Israel Museum, Jerusalem

Accrochage, Punta Della Dogana, Venice

Third Nature, Hessel Museum of Art, CC Bard, New York

Life Itself, Moderna Museet, Stockholm

Matter Fictions, Museu Colecao Berardo, Lisbon

The Mud of Compound Experience, 100 Third Street, Hong Kong

Fluxesfeverfuturesfiction, Azkuna Zentroa, Bilbao

Accueile-moi paysage, Marcelle Alix Gallery, Paris

2015-2017

The Forces behind the Forms, Galerie im Taxispalais, Innsbruck, Austria, travels to Kunstmuseen Krefeld, Germany, and Kunstmuseum Thun, Switzerland

Köln Skulptur #8, Skulpturenpark Köln, Cologne, Germany

2015-2016

La Vie Moderne, 13th Biennale de Lyon, Lyon

Drawn by its own memory, Laura Bartlett Gallery, London

Prosperous Poison – On the Feminist Appropriation of the Austrian Unconscious, Mumok, Vienna

2015

Presque Rien, Marian Goodman Gallery, Paris

White Noise, Kunsthaus Glarus, Glarus, Switzerland

An Imprecise Science, Artspace, Sydney

The Percussive Hunter, Akbank Sanat, Istanbul

Art in the Age of… Energy and Raw Material, Witte de With Center for Contemporary Art, Rotterdam, Netherlands

Art in the Age of… Planetary Computation, Witte de With Center for Contemporary Art, Rotterdam, Netherlands

2014

Animal, Mineral, Vegetable, Andrew Kreps Gallery, New York

The Registry of Promise, Le Crédac, Paris 

Nature after Nature, Kunsthalle Fridericianum, Kassel, Germany

Technokinesis, Blume & Poe, New York & Los Angeles

Curiosity: Art & the Pleasures of Knowing, De Appel Arts Centre, Amsterdam

2013

Curiosity: Art & the Pleasures of Knowing, Hayward Gallery touring, Turner Contemporary

Köln Skulptur 7, Skulpturenpark Köln

Flex-Sil Reloaded, Kunsthalle St. Gallen, Switzerland

12 Triennale Kleinsplastik, Fellbach, Germany

2012

18th Biennale of Sydney Biennale, Sydney

Made in Germany Zwei, Sprengel Museum, Hannover, Germane

La Triennale, Palais de Tokyo, Paris

Atelier + Küche, Marta Herford, Herford, Germany

The Devils Fidelity, Marian Goodman Gallery, Paris

2011

Second Strike, Herzliya Biennial, Tel Aviv

Based in Berlin, Monbijou Park, Berlin

Twenty – Irish Museum of Modern Art, Dublin

Labor (Ars Viva Prize), SALT, Istanbul

Under Destruction, Swiss Institute, New York 

2010

On Line, MoMA, New York

Modernautställningen, Moderna Museet, Stockholm

Liverpool Biennial, Tate Liverpool

On Destuction, Jean Tinguely Museum, Basel

Neue Alchemie, Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster, Münster, Germany

Beyond Entropy: When Energy Becomes Form, La Biennale di Venezia – 12th Intl. Architecture Exhibition

A Never Ending Story (curated by Chris Sharp), Truth or Consequences, NM

Fischgrätenmelkstand, Temporäre Kunsthalle, Berlin

Runaway Train, Bonniers Konsthall, Stockholm

Life: A User´s Manual, Art Sheffield, Sheffield

Leopards in the Temple, Sculpture Center, New York

Performative Attitudes, Kunsthaus Glarus, Switzerland

Das Wesen im Ding, Frankfurter Kunstverein, Frankfurt

2009

The Knight’s Tour, De Hallen, Haarlem

The Actuality of the Idea, Stuart Shave / Modern Art, London

All That is Solid Melts into Air, MuHKA, Antwerp/Mechelen

Canell/Egan/Nowak, Konrad Fischer Galerie, Düsseldorf

Coalesce Happenstance, SMART Project Space, Amsterdam

2008

7th Gwangju Biennale, Gwangju

Manifesta 7 – European Biennial of Contemporary Art, Trentino Südtirol Alto Adige

Auto – Stop, Malmö Konsthall, Malmö

Mima: Sound Space, Middlesbrough Institute of Modern Art, Great Britain

No Borders (Just News), La Centrale Electrique – European Centre for Contemporary Art, Brussels, February + CACT – Centre of Contemporary Art of Thessaloniki

2007

Beyond the Country: Perspectives of the Land in Historic and Contemporary Art, Lewis Glucksman Gallery, Cork

Movement, Contingency & Community, Gallery27, Seoul

What Remains, Spazio Lambretto, Milano

Come Together, Douglas Hyde Gallery, Dublin

2006

Bring the Noise, Catalyst Arts, Belfast

2005

Precaution, Irish Museum of Modern Art, Dublin

Monographic Publications

Satin Ions, Nina Canell, Arko Arts Center, Seoul and Bom Dia Boa Tarde Boa Noite, Berlin, 2015

Mid-Sentence, Nina Canell & Robin Watkins, Moderna Museet, Stockholm and Bom Dia Boa Tarde Boa Noite, Berlin, 2015

Free Space Path Loss, Lunds Konsthall, Lund, Sweden, 2014

Stray Warmings, artist monograph, essays by Dieter Roelstraete, Monika Szewczyk, Steven Connor, Sternberg Press and Midway Contemporary Art, 2014 

Nina Canell, Rolf Julius, essay by Gabriele Knapstein, Hamburger Bahnhof and Walter König Verlag, 2013

Tendrils, essay by John Hutchinson, The Douglas Hyde Gallery, 2012

Into the Eyes as Ends of Hair, pamphlet, essay by Steven Connor, Cubitt Gallery, 2012

Neptune the Mystic, 10” vinyl record, Kunsthalle Fridericianum, 2011

To Let Stay Projecting as a Bit of Branch on a Log by not Chopping it Off, artist monograph, essay by Dieter Roelstraete, Walter König Verlag, Köln and Mumok, Vienna, 2010

Evaporation Essays, artist monograph, essays by P. Moore, C. Mac Goilla Leith, C. Sharp, X. Karskens, Distanz Verlag, NAK and Kunstverein Hamburg, 2010

Creamier; 100 Contemporary Artists, text by Adam Szymczyk, Phaidon Press, 2010 

Shedding Skin (Perpetual Current for Twenty-Four Buckets), LP, KH Worpswede, 2008

29 Infra-Ordinary Meteors, 7” locked groove record, Economic Thought, 2008

Arpeggio Book, artist monograph, The Model Arts & Niland Gallery, 2007

Selected Publications, Catalogues & Reviews 

Satin Ions, Nina Canell, review by Amiee Lin, Art Review Vol. 4, No. 1, 2016

Accrochage, Ed. Caroline Bourgeois, Béatrice Gross, Pinault, Marsilio, 2016

Art in the Age of…, Ed. Ayas, Hoare, Kleinman, Witte de With, 2016

The Forces Behind the Forms, Ed. Magdalena Holzhey, Kunstmuseum Krefeld, 2016

Satin Ions, Nina Canell, review by Jayoon Choi, artasiapacific.com, 2015

Nina Canell at Moderna Museet, review by Neringa Cerniauskaité, Artforum, March, 2015

The Registry of Promise, Ed. Chris Sharp, Roma Publications, 2015

Eppur Si Muove: Art and Technology, a Shared Sphere, Mudam Editions, 2015

Nina Canell – Dimensions Withheld, article by Miki Kanai, Bijutsu Techo Magazine, May, 2015

Slot n°4: Refräng, (red. Adam Westman), Chateaux, 2014

Nina Canell: Mellan Skulptur & Skeende, Bulletinen no 3, Moderna Museet, 2014

Near Here, by Declan Long, exhibition booklet for Camden Art Centre, 2014

Currents of Memory, review by Sheila Regan, www.mnartists.org, March, 2014

The Stand In (Or a Glass of Milk), Gaty & Mackler, Public Fiction Los Angeles, 2014

Macht des Materials/Politik der Materialität, Witzgall & Stakemeier, Diaphanes, 2014

Nina Canell, Katharina Schlueter, Kritisches Lexikon der Gegenwartskunst #106, 2014

Utopie Beginnt im Kleinen, Ed. Yilmaz Dziewior/Angelika Nollert, Walter König Verlag, Cologne, 2013

Nina Canell & Rolf Julius at Hamburger Bahnhof, John Beeson, Texte zur Kunst, March, 2013

Köln Skulptur #7, Ed. Friedrich Meschede, Walther König Verlag, Cologne, 2013

Solo: featured artist Nina Canell, essay by Fionn Meade, Solo no. 3, 2012

Die Idee Konkret, Amely Deiss, Wienand Verlag, Köln, 2012

Nina Canell at Cubitt Gallery, review by Martin L. Herbert, Frieze no. 147, 2012

Intense Proximity, La Triennale Paris, ed. by Okwui Enwezor, 2012

Made in Germany Zwei: Internationale Kunst in Deutschland, Sprengel Museum, 2012

Creamier; 100 Contemporary Artists, text by Adam Szymczyk, Phaidon Press, 2010

Under Destruction, Ed. Jetzer, Sharp, Distanz Verlag with Museum Tinguely & SI, 2010

Nina Canell, article by Chris Sharp, Art Review, Jan-Feb, 2010

The Knights Tour, text by Xander Karskens, De Hallen, Haarlem, 2009

Nought to Sixty, text by Isobel Harbison, ICA, London, 2009

Younger than Jesus; Artist Directory, Phaidon Press and New Museum, 2009

Walking on No-Top Hill, review by Chris Sharp, MAP: Journeys in Contemporary Art #17, 2009

Walking on No-Top Hill, review by Renate Puvogel, Kunstforum International, Band 195, 2009

(E)merging Artists, article by Martin L. Herbert, Modern Painters, December, 2008

Walking on No-Top Hill, review by Quinn Latimer, Frieze Online, 2008

Movement, Contingency & Community, edited by Hyunjin Kim, Darun Books, 2008

Gwangju Biennale: Annual Report, ed. by Okwui Enwezor, exhibition catalogue, Gwangju Biennale, 2008

The Glue & the Wedge, artist interview, Circa # 124, 2008

Manifesta 7: Index, text by Adam Budak, exhibition catalogue, 2008

Slight Heat of the Eyelid, review by Luke Clancy, Art Review  #22, 2008

Come Together, essay by Declan Long, exhibition catalogue, Douglas Hyde Gallery, 2007

Together, Again, essay by Sarah Pierce, Mother’s Annual, MTS, 2006

We Woke Up With Energy, review by Sally O’Reilly, Frieze #98, 2006

We Woke Up With Energy, review by Declan Long, Circa #115, 2006

Precaution, exhibition catalogue, Irish Museum of Modern Art, 2005

Awards

Edstrandska Stiftelsen, Malmö, 2011

Ars Viva – Preis 2010/2011, Kulturkreis der deutschen Wirtschaft, Germany, 2010

Baloîse Prize, Statements Art 40 Basel, 2009

Location One, Arts Council Ireland residency stipend, New York, 2008/2009

Künstlerhäuser Worpswede, residency and stipend, 2008

Arts Council Ireland, Artist Bursary Award, 2007

Firestation Artists’ Studios Residency, Dublin, 2005-2008