Matthew Buckingham

(b. 1963)

Born 1963 in Nevada, Iowa

Lives and works in New York

Education

1997

Whitney Independent Study Program, New York

1996

MFA, Bard College, Annandale-On-Hudson, NY

1988

BA, film production and film studies, The University of Iowa, Iowa City, IA

1984

The School of the Art Institute of Chicago

Solo Exhibitions

2011

Where Will We Live?, Glassell School of Art, Museum of Fine Arts Houston, Houston, USA

Matthew Buckingham: The Spirit and the Letter, Elizabeth A. Sackler Center for Feminist Art, The Brooklyn Museum, New York, USA

Caterina van Hemessen is Twenty Years Old, Art Unlimited, Art Basel, Switzerland

2010

Likeness, Murray Guy, New York, USA

Konrad Fischer Galerie, Düsseldorf, Germany

Landings, Vestfossen, Norway

2009

Matthew Buckingham: Time Proxies, Museo Nacional Centro de Arte Reina Sofía,

Madrid Museum of Contemporary Art, Denver, CO

2008

Will Someone Please Explain It To Me, I’ve Just Become a Radical, Murray Guy, New York, USA

Matthew Buckingham, “From 1957 to 1969 This Building Was Empty”, The Art Institute of Chicago, Chicago, USA

Paleography, Konrad Fischer Galerie, Berlin, Germany

Murray Guy, New York, USA

Index, Stockholm, Sweden

Play the Story, Frac Bourgogne, Dijon, France; traveling to Des Moines Art Center, Des Moines, IA; Henry Art Gallery, Seattle, WA, USA

2007

Half Remembered, ArtPace, San Antonio, TX, USA

Everything Has a Name, Hamburger Bahnhof — Museum für Gegenwart, Berlin, Germany

Play the Story, Camden Arts Centre, London, UK; travelling to DCA Dundee Contemporary Arts, UK

2006

Messages from the Unseen — Matthew Buckingham/Joachim Koester, Lunds Konsthall, Lund, Sweden

2005

Time Lines, Kunstverein und Kunstmuseum St. Gallen, Switzerland

The Distribution of Sensibility v.1: Muhheakantuck — Everything Has a Name, Midway Contemporary Art, Minneapolis, MN, USA

Currents 94: Matthew Buckingham, St. Louis Art Museum, St. Louis, MO, USA

Sandra of the Tuliphouse or How to Live in a Free State (with Joachim Koester), The Kitchen, New York, USA

Introduction to a Scientific Aesthetics (with Dora Garcia), Fundación Telefonica, Madrid, Spain

Westfälischer Kunstverein, Münster, Germany

2004

Muhheakantuck — Everything Has a Name, Murray Guy, New York, USA

Concentrations 44: Matthew Buckingham, A Man of the Crowd, Dallas Museum of Art, Dallas, TX, USA

2003

A Man of the Crowd, Murray Guy, New York, USA

A Man of the Crowd, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

Subcutaneous, Charles H. Scott Gallery, Vancouver, Canada

2002

Definition, P.S.1 Contemporary Art Center, Long Island City, NY, USA

2001

Subcutaneous, Murray Guy, New York, USA

Matthew Buckingham: Video Ab Acht, Schnitt Ausstellungsraum, Cologne, Germany

Sandra of the Tuliphouse or How to Live in a Free State, (with Joachim Koester) x-rummet, Statens Museum for Kunst, Copenhagen, Denmark; Capecete Projects, Rio de Janeiro, Brazil (cat.)

2000

Situation Leading to a Story, Galleri Tommy Lund, Copenhagen, Denmark

1999

Contemporary Film and Video: Matthew Buckingham, Moderna Museet, Stockholm, Sweden

Films + Photographs + Drawings, Murray Guy, New York, USA

1998

Sandra of the Tuliphouse, (with Joachim Koester), Institute of Visual Arts, University of Wisconsin-Milwaukee, WI, USA

Selected Group Exhibitions

2017

Whither the Winds. The Malmö Art Academy, at the Occasion of Lund University’s 350th Jubilee, Lunds konsthall, Sweden

I Remember Not Remembering, Scottsdale Museum of Contemporary Art, Scottsdale, AZ

Natural Histories, Museum Moderner Kunst Stiftung Ludwig, Vienna

2016

About Time: Photography in a Moment of Change, San Francisco Museum of Modern Art, San Francisco

Ein Loch im Meer, Württembergischer Kunstverein, Stuttgart

On the Shoulders of Giants, Kunsthalle Mainz

2014

AMERICANS IN NEW YORK 3, Galerie Michel Rein, Paris, France

L’avenir (looking forward), La Biennale de Montrêal, Montreal, Canada

Unsettled Landscapes, SITElines 2014, Site Santa Fe, Santa Fe, NM, USA

Urban Psychosis, Holden Gallery, Manchester School of Art, Manchester, UK

Matthew Buckingham, Zoe Leonard, Gordon Matta-Clark, Murray Guy, New York, USA

HOME SWEET HOME: À propos de l’inquiétude, Dazibao, Montreal, Canada

The Dying of the Light: Film as Medium and Metaphor, MASS MoCA, North Adams, MA, USA

The Silent Way, Simon Preston Gallery, New York, USA

INTERACT: Deconstructing Spectatorship, East Wing Biennial, The Courtauld Institute of Art, London, UK

2013

Approximately Infinite Universe, Museum of Contemporary Art, San Diego, CA, USA

Das Ende des 20. Jahrhunderts. Es kommt noch besser. Ein Dialog mit der Sammlung Marx, Hamburger Bahnhof, Berlin, Germany

Le Pont, Musée d’Art Contemporain, Marseille, France

Surface Tension, Oakville Galleries, Toronto, Canada

Step Right In, Visual Arts Center, University of Texas, Austin, TX, USA

2012

When Attitudes Become Form Become Attitudes, CCA Wattis Institute, San Francisco, CA, USA

A common feeling, gb agency, Paris, France

Light & Landscape, Storm King Art Centre, Mountainville, NY, USA

Man in the Holocene, MIT List Arts Centre, Boston, USA

2011

Time Again, Sculpture Center, Long Island City, New York, USA

The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, UT, USA

The Wilderness, Miami Art Museum, Miami, FL, USA

Personal Tempest, Neue Galerie Innsbruck, Austria

Formally Speaking: Line Made by Walking, Haifa Museum of Art, Haifa, Israel

Living History, Nicolaysen Art Museum, Caper, WY, USA

2010

Never The Same River (Possible Futures, Probable Pasts), curated by Simon Starling, Camden Arts Centre, London, UK

Constructing History, curated by Luis Silva, Kunsthalle Lissabon Convent of the Order of Christ, Lisbon, Portugal

Vectors of the Possible, curated by Simon Sheikh, BAK Basis fuer Aktuelle Kunst, Utrecht, the Netherlands

Polis Polis Potatismos, Malmö Konsthall, Malmö, Sweden; Dragør Strandhotel, Kopenhagen Contemporary, Copenhagen, Denmark

Between Here and There: Passages in Contemporary Photography, Metropolitan Museum of Art, New York, USA

False Divide: abstraction and representation in a few photographic works, Miguel Abreu Gallery, New York, USA

Murder at the Savoy, Malmö Konsthall, Malmö, Sweden

Mixed Use, Manhattan: Photography and Related Practices 1970s to the present, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

Undercurrents: Experimental Ecosystems in Recent Art, Whitney ISP at the Kitchen, New York, USA

50 Artists Photograph The Future, curated by Dean Daderko, Higher Pictures, New York, USA

Nachleben, curated by Fionn Meade and Lucy Raven, Goethe-Institut Wyoming Building, New York, USA

First Nations/Second Nature, Audain Gallery SFU Woodwards, Vancouver, Canada

2009

Automatic Cities: The Architectural Imaginary in Contemporary Art, MCA San Diego, La Jolla, CA, USA

Surface Tension, Mercer Union, Toronto, Canada

Kurs: Torvet, Museet For Samtidskunst, Roskilde, Denmark

Hidden in Remembrance is the Silent Memory of our Future, Contour — the 4th Biennial of Moving Image, Mechelen, Belgium

Lives of the Hudson, Francis Young Tang Museum, Skidmore College, Saratoga Springs, NY, USA

H-Box, Orange County Museum of Art, Newport Beach, CA, USA

Uses of the Document, Centre Culturel Suisse, Paris, France

Everything Has a Name, Or the Potential to be Named, Gasworks, London, UK

STILL / MOVING / STILL, Cultuurcentrum Knokke-Heist, Knokke, Belgium

Code Share: 5 continents, 10 biennials,  20 artists, Contemporary Art Centre (CAC), Vilnius, Lithuania

2008

Questioning History: Imagining the Past in Contemporary Art, Nederlands Fotomuseum, Rotterdam, The Netherlands

Theaters of Memory: Art and the Holocaust, The Jewish Museum, New York, USA

The Sound I’m Looking For, Charles H. Scott Gallery, Emily Carr Institute, Vancouver, Canada

The Greenroom, CCS Bard Hessel Museum, Annandale-on-Hudson, NY, USA

Farewell to Post Colonialism: Thinking Through the Visual, The Third Guangzhou Triennial, Guangzhou, China

Since we last spoke about monuments, Stroom, The Hague, The Netherlands

The Cinematic, or Moving Images Expanded: Artists’ Film and Video Showcase 2008, Insa Art Space, Seoul, Korea

Reality Check, Statens Museum for Kunst, Copenhagen, Denmark

Framing and Being Framed: The Uses of Documentary Photography, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA

Nonknowledge, Projects Arts Centre, Dublin, Ireland

The Cinema Effect: Illusion, Reality, and the Moving, Part II: Realisms, Hirshhorn Museum and Sculpture Garden, Washington DC, USA

Peripheral Look and Collective Body, Museion, Bolzano, Italy

Förlust/Loss, The Wanås Foundation, Knislinge, Sweden

Headlines and Footnotes, Henie Onstad Art Centre, Oslo, Norway

Fluid Street, Kiasma, Helsinki, Finland

Shadow Cabinet, Extra City, Antwerp, Belgium

Berlin-New York Dialogues: Building in Context, Center for Architecture, New York, USA

2007

The Big Easy, ACC Galerie, Weimar and Halle 12 in der Baumwollspinnerei, Leipzig, Germany

In the Poem About Love You Don’t Write the Word Love, Overagaden Institut for Samtidiskunst, Copenhagen

Buckingham Cesarco Lawler Ruppersberg, Murray Guy, New York, USA

Taking Time, MARCO, Museum of Contemporary Art, Vigo, Spain

Matthew Buckingham, Francis Cape, Kota Ezawa, Matthew Higgs, Murray Guy, New York, USA

To The Point: A New Reality: Black and White Photography in Contemporary Art, Jane Voorhees Zimmerli Art Museum, Rutgers University, New Brunswick, NJ, USA (cat.)

Projecting Time, Badischer Kunstverein, Karlsruhe, Germany

Mapping the City, Stedelijk Museum, Amsterdam, The Netherlands

Varsalongen 2007, Liljevalchs Konsthall, Stockholm, Sweden

2006

1,2,3… Avant–gardes: Film / Art between Experiment and Archive, CCA Ujazdowski Castle, Warsaw, Poland

Personal Affairs. New Forms of Intimacy, Museum Morsbroich, Leverkusen, Germany

700% PLUS, KBH Kunsthal, Copenhagen, Denmark

Liverpool Biennial International 06, Liverpool, UK

The Golden Hour, Gigantic ArtSpace, New York, USA

Nam June Paik Award 2006, Museum für Angewandte Kunst, Cologne, Germany

No Reservations: Native American History and Culture in Contemporary Art, The Aldrich Contemporary Art Museum, Ridgefield, CT, USA

Société des nations factice et scindée en elle-même, Circuit, Lausanne, Switzerland

Between the Lakes: Artists Respond to Madison, Madison Museum of Contemporary Art, Madison, WI, USA

Slow Revolution, The Rotunda Gallery, Brooklyn, NY, USA

Draft Deceit, Kunstnernes Hus, Oslo, Norway

Forum expanded, Berlinale and Kunst-Werke Institute for Contemporary Art, Berlin, Germany

2005

This Storm Is What We Call Progress, Arnolfini, Bristol, UK

I Beg Your Pardon – or the Reestablishing of Cordial Relations,The New School, New York, USA

I really should…, curated by Stefan Kalmar, Lisson Gallery, London, UK

This Side Toward Screen, Murray Guy, New York, USA

Post No Bills, White Columns, New York, USA

In Absentia, curated by Stephen Wright, Centre d’Art Passerelle, Brest, France

(“my private”) HEROES, MARTa, Herford, Germany

The Corcoran Biennial, The Corcoran Gallery of Art, Washington, DC, USA

Circa Berlin, curated by Simon Sheikh, Nikolaj, Copenhagen Contemporary Art Center, Copenhagen, Denmark

Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago; Hayward Gallery, London, UK

Documentary Creations, Kuntmuseum Luzern, Lucerne, Switzerland

Matthew Buckingham, Markus Schinwald, Clemens von Wedemeyer, Galerie Klosterfelde, Berlin, Germany

In words and pictures, Murray Guy, New York, USA

2004

Faces in the Crowd, Whitechapel Art Gallery, London, UK

The Book as Object and Performance curated by Sara Reisman, Gigantic Art Space, New York, USA

Rear View Mirror, Kettle’s Yard, Cambridge, UK

Common Property, Werkleitz Biennale, Halle, Germany

Territories, Malmö Konsthall, Malmö, Sweden

4 and 4, Curator’s Choice New York/Berlin, (MB chosen by Anselm Frank), Müller De Chiara, Berlin, Germany

Push the Envelope, curated by Lars Mathieson, Sparwasser HQ, Berlin, Germany

2003

Get Rid of Yourself, ACC Weimar & Stiftung Federkiel, Halle 14 Leipzig, Germany

Territories (curated by Anselm Franck and Sine Bepler), Kunst-Werke, Berlin, Germany

Homeland, Whitney ISP, CUNY Graduate Center, New York, USA

Watershed: The Hudson Valley Art Project, Beacon, NY and surrounding locations, USA

Cloudless, CCS Bard College, Annandale-on-Hudson, NY, USA

Inscribing the Temporal, Kunsthalle Exnergasse, Vienna, Austria

Affinity Archive, Broadstone Studios, Dublin, Ireland

2002

Rent-A-Bench, curated by Jacob Fabricius, Los Angeles, USA

Road Trip, Murray Guy, New York, USA

Nostalgia, Art In General, New York, USA

The Captain’s Road, Dublin, Ireland

The Brewster Project, Brewster, NY, USA

2001

Plakartprojekt, organized by SITE & Schnitt Ausstellungsraum, Cologne, Germany

Quality Street, Galleri Tommy Lund, Copenhagen, Denmark

Definition, Murray Guy, New York, USA

2000

May Day Vienna, The Kunsthalle Exnergasse, Vienna

La Ville, le Jardin, la Memoire–La Folie Section, Villa Medici/Académie de France, Rome, Italy (cat.)

Vague but True (curated by Catsou Roberts), Galeri Asbaek, Copenhagen; Arnolfini, Bristol, UK

Greater New York, P.S.1 Contemporary Art Center, Long Island City, NY, USA

1999

Re-opening Show, Galleri Nicolai Wallner, Copenhagen, Denmark

Caravan, Astrotel Contemporary Art, Vienna, Austria

The American Century, Whitney Museum of American Art, New York, USA

Close-Ups — Contemporary Art and Carl Th. Dreyer, Nikolaj Contemporary Art Center, Copenhagen, Denmark (cat.)

L.A. International, Blum & Poe, Santa Monica, CA, USA

You Assume Certain Places Exist, Galerie Mot & Van den Boogaard, Brussels, Belgium

Parking (organized by May Day Productions), High Bridge Park, NY, USA

1998

Nuit Blanche, ARC Musée d’art moderne de la Ville de Paris, Paris, France (cat.)

Something is Rotten in the State of Denmark, Museum Fridericianum, Kassel, Germany

Screening, Apex Art P.C., New York, USA

1997

Assorted Confabulations: Fiction + Interference, Consonni Centro de Prácticas Contemporáneas, Bilbao, Spain

For Eyes and Ears, Galleri Tommy Lund, Odense, Denmark

Three Rivers ArtsFestival, The Andy Warhol Museum, Pittsburgh, PA, USA

1996

New Histories, The Institute of Contemporary Art, Boston, USA

Spot Gallery, New York, USA

1993

Onion City, Randolph Street Gallery, Chicago, USA

Pages, 450 Broadway Gallery, New York, USA

1991

New Work, Randy Alexander Gallery, New York, USA

1990

Works on Paper, Paula Allen Gallery, New York, USA

Selected Screenings

2014

Nouveau Festival, Centre Pompidou, Paris, France

2009

Passageworks Film Program, San Francisco Museum of Modern Art, San Francisco, CA, USA

2008

Muhheakantuck — Everything Has a Name, Screenings on New York City water taxis, sponsored by

CreativeTime, New York, USA

American Institute of Architects, New York, USA

2007

Mapping the City video programme, Stedelijk Museum Bureau, Amsterdam, The Netherlands

Matthew Buckingham, Tate Modern, London, UK

In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), Midway Contemporary Art, Minneapolis, MN, USA

2006

In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), Centre for

Contemporary Arts, Glasgow, UK; Artists Space and Anthology Film Archives, New York; Midway Contemporary Art, Minneapolis, MN, USA

Shedhalle, Zürich, Switzerland

2005

A History of Forgetting, transit projektce, Prague, Czech Republic

In the Poem About Love You Don’t Write the Word Love (curated by Tanya Leighton), argosfestival, Brussels, Belgium

Cine y casi cine, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain

MediaScope, The Museum of Modern Art, New York, USA

2004

Identify! or Studies on a Political Subject, The New School, New York, USA

Matthew Buckingham, Akademie der Künste, Berlin, Germany

2003

Matthew Buckingham, Akademie der Künste, Berlin, Germany

Record, Gallery210two, Los Angeles, USA

2000

Three Films by Matthew Buckingham, Arnolfini, Bristol, UK

Crossing Boundaries, National Cinematheque, Danish Film Institute, Copenhagen, Denmark

Art Film, Stadtkino, Kunsthalle Basel, Switzerland

Shoot: Moving Pictures by Artists, Malmö Konsthall, Malmö, Sweden

1999

Five 29 Ninety9, one-day symposium, St. Ann’s Church, Brooklyn, NY, USA

Silver Series, Saint Mark’s Church Danspace Project, New York, USA

Meters 1, Salon 300, Brooklyn, NY and Tian Miao Lin, Beijing, China

1998

Reading Places, Pacific Film Archive / Berkeley Art Museum, Berkeley, CA, USA

The Glass of Knowledge, The Anthology Film Archive, New York, USA

1997

New Directors/New Films, The Museum of Modern Art, New York, USA

Ann Arbor Film Festival, Ann Arbor, MI, USA

Athens International Film Festival, Athens, OH, USA

1996

Film Club, Four Walls, Brooklyn, NY, USA

1994

Works-in-Progress, The Museum of Modern Art, New York, USA

Sydney Public Television, Sydney, Australia

1993

San Francisco Cinematheque, San Francisco, CA, USA

Other Cinema, San Francisco, CA, USA

Black Maria Film Festival, NJ, USA

Ann Arbor Film Festival, Ann Arbor, MI, USA

Reel Time, Performance Space 122, New York, USA

1990

Ann Arbor Film Festival, Ann Arbor, MI, USA

St. Mark’s Church Danspace Project, New York, USA

Fellowships, Grants, Residencies

2007

ArtPace, San Antonio, TX

IASPIS, Stockholm

2006

Artist in Residence, The Arts Institute, University of Wisconsin-Madison

2004

The Rolex Mentor and Protégé Arts Initiative Award, selected by John Baldessari

2003

DAAD Artists Program, Berlin

Watershed: The Hudson Valley Project, Minetta Brook Foundation, NY

2001

New York Foundation for the Arts, Artists Fellowship

1997

Danish Film Institute Film Workshop Production Grant

1996

New York State Council on the Arts Film Production Grant

New York State Council on the Arts Film Production Grant

1992

Art Matters Artist’s Fellowship, New York

1990

Apparatus Production Grant, New York

Awards

1997

Ann Arbor Film Festival, Best Narrative Film, Amos Fortune Road

1993

Black Maria Film Festival, Director’s Citation, The Truth About Abraham Lincoln

Onion City Film Festival, Best-of-Festival Prize,The Truth About Abraham Lincoln

Ann Arbor Film Festival, Best-of-Festival Prize, Dizzy

1990

Ann Arbor Film Festival, Award of Excellence, At Once

2007

ArtPace, San Antonio, TX

IASPIS, Stockholm

2006

Artist in Residence, The Arts Institute, University of Wisconsin-Madison

2004

The Rolex Mentor and Protégé Arts Initiative Award, selected by John Baldessari

2003

DAAD Artists Program, Berlin

Watershed: The Hudson Valley Project, Minetta Brook Foundation, NY

2001

New York Foundation for the Arts, Artists Fellowship

1997

Danish Film Institute Film Workshop Production Grant

1996

New York State Council on the Arts Film Production Grant

New York State Council on the Arts Film Production Grant

1992

Art Matters Artist’s Fellowship, New York

1990

Apparatus Production Grant, New York

Public Collections

FRAC Bourgogne, Dijon, France

Hamburger Bahnhof, Museum für Gegenwart, Berlin

Hirshhorn Museum and Sculpture Garden, Washington, DC

K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany

Kadist Foundation, Paris

Kunstmuseum, St. Gallen, Switzerland

MARTa Herford, Herford Germany

The Metropolitan Museum of Art, New York

Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria

The Museum of Modern Art, New York

San Francisco Museum of Modern Art, San Francisco, CA

St. Louis Art Museum, St. Louis, MI

Statens Museum for Kunst, Copenhagen, Denmark

Tate Modern, London

Walker Art Center, Minneapolis, MN

Books and Monographs

2008

Buckingham, Matthew. Improbable Horse. Des Moines: Des Moines Art Center, 2008. Artist’s book.

2007

Buckingham, Matthew. Everything I Need. London: Camden Arts Centre, 2007. Artist’s book. Essay by Darcy Beurkle.

Buckingham, Matthew. False Future. London: Camden Arts Centre, 2007. Artist’s book. Essay by Tom Gunning.

Buckingham, Matthew. The Spirit and the Letter. London: Camden Arts Centre, 2007. Artist’s book. Essay by Cora Kaplan.

Play the Story. London: Camden Arts Centre, 2007. Essay by Sara Krajewski. Interview with Mark Godfrey.

2006

Kreuger, Anders, ed. Matthew Buckingham: Messages from the Unseen. Lund: Lund Konsthall; Rotterdam: Veenman Publishers, 2006. Essays, interviews, and texts by Jennifer Allen, Matthew Buckingham, Joachim Koester, Jamet Kraynak, Anders Kruger, and Edgar Allan Poe.

2005

Buckingham, Matthew. One Side of Broadway. Münster: Westfälischer Kunstverein; St. Gallen: Kunstverein St. Gallen; and Frankfurt: Revolver, 2005. Artist’s book.

Narratives. Münster:  Westfälischer Kunstverein; St. Gallen: Kunstverein St. Gallen; and Frankfurt: Revolver, 2005. Essays by Carina Plath and Mark Godfrey.

2003

Buckingham, Matthew. A Man of the Crowd. Vienna: Museum Moderner Kunst, 2003. Artist’s book. Essay by Kimberly Lamm. “The Man of the Crowd” by Edgar Allan Poe. Notes by Matthew Buckingham.

2002

The Six Grandfathers from the Cretaceous Period to the Present. New York: Matthew Buckingham, 2002. Artist’s book.

2001

Buckingham, Matthew. Subcutaneous. New York: Murray Guy; Shark Books, 2001. Artist’s book.

Buckingham, Matthew and Joachim Koester. Sandra of the Tuliphouse Or How To Live in a Free State. Edited by Sven Bjerkhof. Copenhagen: Statens Museum for Kunst, 2001. Introduction by Marianne Torp.

Selected Artist’s Writings and Publications

2007

“Film to be Projected Every Year.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner, Hochschule für Gestaltung und Kunst Zürich, JRP/Ringier, pp. 71—79

“Muhheakantuck—Everything Has a Name.” October, no. 120 (Spring 2007), pp. 173—181

“1000 Words: The Spirit and the Letter.” Artforum (May 2007), pp. 328—329

2005

“Muhheakantuck—Everything Has a Name.” In Experience Memory Re-enactment. Ed. Anke Bangma, Steve Rushton and Florian Wüst. Rotterdam: Willem de Kooning Academy Publications. Frankfurt: Revolver, Archiv für aktuelle Kunst, 2005, pp. 251–257

2003

“A Man of the Crowd: annotated associations with Edgar Allan Poe’s tale The Man of the  Crowd.” In Untitled (Experience of Place). Ed. Gregor Neuerer, Koenig Books Ltd., London/Verlag der Buchhandlung Walter Koenig, Cologne, 2003

“Ultramarine.” Cabinet Magazine, no. 10 (Spring 2003)

“The Projected image in Contemporary Art.” Roundtable discussion with Matthew Buckingham, Chrissie Iles, Hal Foster, George Baker, Malcolm Turvey, Anthony McCall, October, no. 104 (March 2003)

2002

“The Six Grandfathers, Paha Sapa, In the Year 502,002 C.E.” Cabinet, no. 7 (Summer 2002), pp. 47—50

Buckingham, Matthew and Joachim Koester. “Points of Suspension.” October, no. 100 (Spring 2003), pp. 55—63

2001

Buckingham, Matthew and Joachim Koester. “How to Live in a Free State.” Sandra of the Tuliphouse or How to Live in a Free State. Copenhagen: x-rummet, Statens Museum for Kunst, 2001

“Interview With a Cultural Follower and Public Space-Inhabitant.” Shark 3 (Winter 2001), pp. 91—107

1998

Buckingham, Matthew and Joachim Koester. “Sandra of the Tuliphouse or How to Live in a Free State: A Project for Atlántica.” Atlántica Internacional Revista de las Artes, no. 19 (Winter 1998), pp. 90—97

“Situation Leading to a Story.” Ojeblikket magazine, no. 35 (Spring 1998)

Selected Bibliography

2014

Boudreau, Olivia and France Chonière. Home Sweet Home. À propos de l’inquiétude. Montreal: Dazibao and Édipresse, 2014, pp. 99—101, 147

Delgado, Jérôme. “Les nouveaux débuts: Home Sweet Home — À propos de l’inquiétude; Fountainward.” Le Devoir [Montreal], 12 April 2014

Farago, Jason. “The Silent Way.” Artforum.com, 26 January 2014

Smith, Roberta. “The Silent Way.” New York Times, 20 February 2014

2011

Boucher, Brian. “Matthew Buckingham — Murray Guy.” Art in America (February 2011)

Demeuse, Sarah. “Matthew Buckingham.” …might be good, no. 178, 11 November 2011

“Matthew Buckingham: The Spirit and the Letter.” The New Yorker, 26 September 2011

Vali, Murtaza. “Matthew Buckingham — Likeness.” Art Review (February 2011)

2010

Bell, Kirsty. “Part of the Process: Matthew Buckingham.” Mousse, no. 25 (September/October 2010), pp. 62—67

Gopnik, Adam. “Gopnik’s Daily Pic: Matthew Buckingham at Murray Guy.” The Washington Post, 22 November 2010

“Matthew Buckingham.” The New Yorker, 3 December 2010

Mircan, Mihnea, ed. History of Art, The. Appendix 1: The Impresent. London: David Roberts Art Foundation, 2010, n.p. (Image of Absalon slide reproduced)

Rosenberg, Karen. “Photographs that Tell Unsettling Tales.” The New York Times, 8 July 2010

Smith, Roberta. “Varieties of Abstraction.” The New York Times, 6 August 2010

2009

Clark, Robin. “Matthew Buckingham.” In Automatic Cities – The Architectural Imagery in Contemporary Art. San Diego: Museum of Contemporary Art, San Diego, 2009, pp. 64–69

Comer, Stuart. Film and Video Art. London: Tate Publishing, 2009, p. 96

McElheny, Josiah. “Matthew Buckingham.” Bomb, no. 107 (Spring 2009), pp. 90—96

2008

Decter, Joshua. “Matthew Buckingham.” Artforum (November 2008)

Ellegood, Anne. “Matthew Buckingham.” In The Cinema Effect: Illusion, Reality, and the Moving Image. Ed. Kerry Brougher et. al. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; London: D Giles Ltd, 2008, pp. 130—134

Falconer, Morgan. “Matthew Buckingham: Please Explain it to me, I’ve just become a Radical.” Art Review, no. 26 (October 2008)

Hanley, William. “Buckingham Film Makes Maiden Voyage.” Artinfo, 31 March 2008

Johnson, Ken. “Matthew Buckingham — Will Someone Please Explain It To Me, I’ve Just Become a Radical.” The New York Times, 25 July 2008

Kitamura, Katie. “Matthew Buckingham, Index, Stockholm, Sweden.” Frieze.com

Mack, Joshua. “Matthew Buckingham.” Time Out New York, 3—9 April 2008

Ostrow, Saul. “Matthew Buckingham: Murray Guy.” Art in America (December 2008), pp. 160—161.

“Matthew Buckingham.” The New Yorker, 31 March 2008

Rosenberg, Karen. “Matthew Buckingham.” The New York Times, 23 March 2008

Sholis, Brian. “Matthew Buckingham.” Artforum (May 2008), p. 381

Watson, Sam. “Matthew Buckingham — Des Moines, IA+London+Seattle.” Art Papers (May/June 2008), p. 59

West, Kim. “Mathew Buckingham, Index.” Artforum.com

2007

Collings, Matthew. “Hot Chat.” Modern Painters (September 2007), pp. 38—41

Coomer, Martin. “Timely Viewing.” The Big Issue, 14 May 2007

Cooper, Emmanuel. “Text and Image meet ambiguity and complexity.” Tribune, 18 May 2007

Darwent, Charles. “Notes from a ceiling in north London.” The Independent on Sunday, 6 May 2007

Falconer, Morgan. “Turning her story into living history.”The Times, 21 April 2007

Glauner, Max. “Fröhliche Wissenschaft mit Haken.” Zitty, no. 13 (2007)

Godfrey, Mark. “The Artist as Historian.” October, no. 120 (Spring 2007), pp. 140—172

Godfrey, Mark. “Time and Motion.” Sight & Sound (May 2007), p. 8

Gronlund, Melissa. “Story Telling.” Frieze, no. 106 (April 2007), pp. 120—125

Groskop, Viv. “Women All hail the feminassance.”The Guardian, 11 May 2007

Herbert, Martin. “Matthew Buckingham.” Time Out, 30 May—5 June 2007

Hiltbrunner, Michael. “Die Frauenstimmrecht – ein Nachhaken.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner. Zurich: Hochschule für Gestaltung und Kunst Zürich; Zurich: JRP/Ringier, 2007, p. 81

Hiltbrunner, Michael. “Mechanismen des Vergessen – Interview with Matthew Buckingham.” In Kunst und Öffentlichkeit. Ed. Christoph Schencker and Michael Hiltbrunner. Zurich: Hochschule für Gestaltung und Kunst Zürich; Zurich: JRP/Ringier, 2007, pp. 82—84

Hinrichsen, Jens. “Der Überflieger.” Der Tagesspiegel, 19 June 2007

Macdonald, Fiona. “Matthew Buckingham.” Metro (London), 3 May 2007

Morgan, Jessica. “1000 words – Matthew Buckingham.” Artforum (May 2007), pp. 328—329

Mottram, Jack. “Turning the Familiar on its Head.” The Herald (Dundee), 23 November 2007

Muir, Kate. “The Dark Ages.” Times Magazine, 9 June 2007

Oldham, Alison. “Revealing needs of a lesbian doctor.” Ham & High, 21 June 2007

Resch, Andreas. “Alles hat einen Sinn irgendwie.”Tageszeitung Berlin, 24 July 2007

“Review: Matthew Buckingham, Play the Story.” myvillage.com, 10 May 2007

Slyce, John. “Matthew Buckingham – Camden Arts Centre.” Art Monthly (June 2007)

Smyth, Cherry. “Rewind: Matthew Buckingham.” ArtReview (May 2007), pp. 108—109

Ulrichs, David. “Everything has a Name.” ART, no. 25, 6 September 2007

2006

Baxter, Lew. “Melville’s metaphor for a new Liverpool.” Interview. Liverpool Daily Post, 29 September 2006

Chapple, Mike. “An old salt may be turned into a star.” Liverpool Daily Post, 7 June 2006

Fox, Killian. “What a turn-up — Liverpool Biennial.” The Observer, 24 September 2006

Hubbard, Sue. “International Festival of Contemporary Art.” The Independent, 29 September 2006

Simon, Jane. “Between the Lakes: Artists Respond to Madison.” In Between the Lakes: Artists Respond to Madison. Ed. Stephen Fleischman and Jane Simon. Madison: Madison Museum of Contemporary Art, 2006, pp. 24—25.

Sutton, Gloria. “Matthew Buckingham — Kunstmuseum St. Gallen.” artUS, no.13 (May—June 2006), p. 60

Volkart, Yvonne. “Matthew Buckingham — Time Lines.” Springerin (February 2006)

2005

Bellini, Andrea. “New York Tales: Reflections in a Glass Curtain.” Flash Art, no. 243 (July—September 2005), pp. 114 116

Clark, Robin. “Matthew Buckingham.” Interview with Matthew Buckingham. Currents 94 Matthew Buckingham. Exhibition Brochure. St. Louis: Saint Louis Art Museum, 2005

Comer, Stuart. “London.” Artforum (December 2005)

Cotter, Holland. “The Book as Object and Performance.” The New York Times, 13 January 2005

Godfrey, Mark. “Against Finitude.” In Introduction to a Scientific Aesthetic. Madrid: Fundación Telefónica, 2005, pp. 53—75

Martinez, Chus. “Introduction to a Scientific Aesthetics.” In Introduction to a Scientific Aesthetic. Madrid: Fundación Telefónica, 2005, pp. 13—23

Scott, Andrea. “In between days.” Time Out New York, no. 502. 12—18 May 2005, pp. 73—74

Smith, Roberta. “Matthew Buckingham & Joachim Koester, ‘Sandra of the Tuliphouse or How to Live in a Free State.” The New York Times, 10 June 2005, p. E44 (illustrated)

Wilson, Michael. “Matthew Buckingham and Joachim Koester.” Artforum (September 2005), pp. 306—307

2004

Allen, Jennifer. “Clues, Shadows and Faces — Interview with Matthew Buckingham.” Metropolis M, no. 5 (October/November 2004), pp. 95—106

Dean, Tacita. “Historical Fiction: The Art of Matthew Buckingham.” Artforum (March 2004), pp. 146–151 and cover.

Franke, Anselm. “Matthew Buckingham.” Parkett, no. 72 (2004), pp. 6—16

Henry, Max. “Matthew Buckingham at Murray Guy.” Art in America (March 2004), pp. 130—131

Huck, Brigitte. “Matthew Buckingham – Museum Moderner Kunst Stiftung Ludwig.” Artforum (January 2004), p. 162

The New Yorker, 13 December 2004, p. 20

Weaver, Suzanne. “An Interview with artist Matthew Buckingham.” A Man of the Crowd. Exhibition brochure. Dallas: Dallas Museum of Art, 2004

2003

Auricchio, Laura. “Homeland.” Time Out New York, no. 403, 19—26 June 2003, p. 61

Boettger, Suzanne. “Cinderella on the Hudson.” Art in America (June 2003), pp. 39—45

Cotter, Holland. “Art shows in the Great Indoors.” The New York Times, 25 July 2003

Cotter, Holland. “Matthew Buckingham.” The New York Times, 12 December 2003, p. E45

Harris, Michael. “Physiognomists take spotlight in Buckingham show.” The Vancouver Sun, 10 March 2003

Jaugelis, Kristina. “Matthew Buckingham – Charles H. Scott Gallery.” School for the Contemporary Arts, Simon Fraser University, Vancouver, online magazine

Kastner, Jeffrey. ”Watershed — various sites.” Artforum (October 2003), p. 175

Lamm, Kimberly. “Men in the Crowd.” In A Man of the Crowd — Matthew Buckingham. Vienna: Museum Moderner Kunst Stiftung Ludwig, 2003, pp. 62—70

Leighton, Tanya. “Coming to Homeland.” In Homeland. Exhibition brochure. New York: Whitney ISP, 2003, pp. 15—21.

“Matthew Buckingham.” The New Yorker, 24 November 2003, p. 22

Metzger, Rainer. “Soho am Stephansplatz — MUMOK: Matthew Buckingham – A Man of the Crowd.” artmagazine, Vienna, 22 September 2003

Princenthal, Nancy. “A 10-Part Hello Along the Hudson.” The New York Times, 11 May 2003, p. 20

Rosenberg, Karen. “On View-The Tell-Tale Art.” New York, 8 December 2003, p. 99

Schwendener, Martha. “Matthew Buckingham ‘A Man of the Crowd.’” Time Out New York, no. 426, 27 November–4 December 2003, p. 82

Sholis, Brian. “New York Critic’s Picks: Matthew Buckingham.” Artforum.com, 25 November 2003

2002

“Definition — P.S.1 Contemporary Art Center.” The New Yorker, 12 August 2002, p. 15

Kraynak, Janet. “Matthew Buckingham.” In Watershed–The Hudson Valley Art Project. New York: Minetta Brook, 2002, pp. 83—89

Sonkin, Rebecca. “Matthew Buckingham.” Tema Celeste (March/April 2002), p. 84

Sundell, Margaret. “Wet Dream.” Time Out New York, 26 September—3 October 2002, p. 60

2001

Burton, Johanna. “Matthew Buckingham — Subcutaneous.” Time Out New York, 6—13 December 2001, p. 62

Kristensen, Pernille Anker. “Alle veje fører til Christiania.” Det Sker/Kultur, 16 March 2001

Movin, Lars. “Stedernes gådefulde fortælling.” Information, 15 March 2001

Ryan, Orla. “In Between Lost and Found: The Films of Matthew Buckingham.” Afterimage (March/April 2001), pp. 16—17

Torp, Marianne. “You assume certain histories exist…” In Sandra of the Tuliphouse or How to Live in a Free State, Copenhagen: x-rummet, Statens Museum for Kunst, 2001

Williams, Gregory. “New York Critics’ Picks: Matthew Buckingham.” Artforum.com, 7 December 2001

2000

Daniels, Yolande. Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000

Dunn, Melissa. “Exhibition Picks.” The Guardian (London), 24 June 2000

Jönsson, Dan. “Konstfilm i Malmö.” Dagens Nyheter (Malmö), 16 February 2000

“Matthew Buckingham’s ‘Situation Leading to a Story.’” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000

Shaw, Lytle. “How to Make Good Experimental Ethnographic Films: Matthew Buckingham.” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000

Siegel, Katy. “Greater New York.” Artforum (May 2000), p. 174

Stanley, Sarah. “Shirin Neshat: Matthew Buckingham.” In Greater New York. New York: Institute for Contemporary Art, P.S.1, 2000

1999

Close-Ups — Contemporary Art and Carl Th. Dreyer. Copenhagen: Nikolaj Contemporary Art Center, 1999. Texts by Lene Crone Jensen and Lars Movin

Jowitt, Deborah. “Depth of Memory.” The Village Voice, 13 April 1999

Williams, Gregory. “Matthew Buckingham – Murray Guy, New York.” Frieze, no. 46 (May 1999), pp. 98—99

1998

“Home Movies: Situation leading to a Story.” SuperUmbau, no. 4 (Autumn 1998)

Larson, Lars Bang. Something is Rotten in the State of Denmark. Kassel: Museum Fridericianum, 1998

Nuit Blanche. Paris: ARC Musée d’art moderne de la Ville de Paris, 1998

Roberts, Catsou. “Between Documentation and Drama.” Artpress, no. 232 (February 1998)

Taubin, Amy. “Love and Death, 1997’s Top Ten Films.” The Village Voice, 6 January 1998

1997

Anderson, John. “New Films Series Takes Manhattan.” Newsday, 21 March 1997

Maslin, Janet. “Quiet Desperation, Then Decisions, Decisions.” The New York Times, 29 March 1997

Taubin, Amy. “Worlds Apart.” The Village Voice, 25 March 1997

1996

Gilliam, Leah. “Eraser Vols. 9&10.” In New Histories. Ed. Lia Gangitano and Steven Nelson. Boston: Institute of Contemporary Art, 1996